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MELDIO AI AUDIO PRODUCTION STUDIO
More than text-to-speech.

From page toproduction.

Paste your content and hear it fully produced — cast, directed, and scored automatically.

Your content remains yours. Meldio transforms creator-owned work-it does not write it.
As featured in
BroadwayWorld: Meldio Platform to Turn Scripts Into Multi-Voice Audio Productions
Meldio Quick Studio
Quick Full
Paste your contentMulti-voice needs formatted names — plain prose reads as narration
or drag and drop a file anywhere in this box
QUICK STUDIO — random voices, ready instantly.
FULL STUDIO — voice control, emotion, music, saved projects. Request access →
Quick Studio’s beta limit is 10,000 characters. For longer pieces, try Full Studio.

For multiple voices, put each character name on its own line or use "NAME: dialogue" format. Plain prose with no names renders as single-voice narration.

TXT · DOCX · PDF · FOUNTAIN · FDX

A short excerpt works best for your first generation.

Meldio is bringing your words to life.

Identifying speakers, casting voices, and rendering your MP3.
This usually takes 30–90 seconds.

See it work in your field

15 fields and use cases — pick one to try it now.

Human Resources Compliance training, onboarding, and difficult-conversation rehearsal.

Try it yourself — sample dialogue

EMPLOYEE
*(uncomfortable)*
I probably should have said something sooner. I just didn't know how it would be received.

MANAGER
You're saying it now, and that's what actually matters to me. Tell me what happened.

EMPLOYEE
It's been going on for a few weeks. Comments in meetings, mostly, that felt targeted.

MANAGER
Thank you for trusting me with this. Here's exactly what happens next, step by step.

EMPLOYEE
*(relieved)*
Okay. I appreciate that. I was worried this would just get brushed aside.

MANAGER
It won't. You have my word, and I'm going to follow up with you personally.
Fills the box above and scrolls you right to it. Learn more about this use case →
Theater Audio demos for plays, musicals, readings, and submissions.

Try it yourself — sample dialogue

NARRATOR
Family gathers in a childhood living room, one day after the funeral.

MARGARET
*(brittle)*
Someone has to say it. He didn't leave the house to both of us equally.

TOM
He left it to whoever actually took care of Mom for the last six years. That was me.

MARGARET
So this is a reward, is it? For staying?

TOM
*(quiet)*
No. It's what's left when you're the one who didn't leave.

MARGARET
*(breaking)*
I couldn't stay. You know why I couldn't stay.

TOM
I know why you say you couldn't. I'm not sure I ever believed it.
Fills the box above and scrolls you right to it. Learn more about this use case →
Healthcare Patient education and clinical communication training.

Try it yourself — sample dialogue

DOCTOR
*(gentle)*
I want to walk you through the results together, if that's alright with you.

PATIENT
*(bracing)*
Just say it plainly. Please.

DOCTOR
It's early-stage, and it's treatable. That's the important part to hold onto first.

PATIENT
*(shaking)*
Okay. What happens next?

DOCTOR
Next, we build a plan together, starting this week. You won't be doing this alone.
Fills the box above and scrolls you right to it.

⚠ Important: Use fictional or de-identified scenarios only — do not paste real patient information (PHI) into Meldio.

Learn more about this use case →
Podcasts Faster production of scripted narrative episodes.

Try it yourself — sample dialogue

NARRATOR
*(low, measured)*
On a quiet street in October, a porch light burned all night. No one thought to ask why until morning.

HOST
Today, we're reopening a case that sat cold for eleven years.

NARRATOR
Detective Ruiz was the first to arrive. What she found didn't match anything in the official report.

HOST
*(quiet)*
And that's where our story really begins.
Fills the box above and scrolls you right to it. Learn more about this use case →
Sales Pitch rehearsal, objection handling, and negotiation training.

Try it yourself — sample dialogue

PROSPECT
*(skeptical)*
We already have a vendor for this. Frankly, they're about twenty percent less expensive.

REP
Most of our best clients said the exact same thing before they switched. May I ask what that price doesn't currently include for you?

PROSPECT
Support, mostly. We're on our own if something breaks after hours.

REP
That's exactly the gap our clients tell us about. That twenty percent difference — that's what's paying for someone answering the phone at 2 a.m.

PROSPECT
*(softening)*
Okay. I hadn't thought about it that way.

REP
Let's walk through what that actually looks like for a team your size.
Fills the box above and scrolls you right to it. Learn more about this use case →
Education Story-based learning content and instructional audio experiences.

Try it yourself — sample dialogue

NARRATOR
A high school history class reenacts one of the most consequential debates in American history.

TEACHER
Today two of you will step into the 1858 debates. Who wants to open as Senator Douglas?

STUDENT (as Douglas)
*(confident)*
Every state must decide this question for itself. That is the promise our founders made to the people.

STUDENT (as Lincoln)
A promise cannot stand if it allows one man to own another. Some questions were never meant to be left to a vote.

STUDENT (as Douglas)
And who decides which questions those are? You? Congress?

STUDENT (as Lincoln)
*(steady)*
Conscience decides it. History will ask which side of that line each of us chose to stand on.

TEACHER
*(to class)*
Notice how each side appeals to a different idea of freedom. Where do you still see that same tension today?
Fills the box above and scrolls you right to it. Learn more about this use case →
Screenplays Audio proof-of-concept scenes for film, TV, and streaming.

Try it yourself — sample dialogue

INT. INTERROGATION ROOM - NIGHT

DETECTIVE
Walk me through it again. Nine-fifteen.

SUSPECT
I already told the other officer everything.

DETECTIVE
*(flat)*
Tell me. Not him.

SUSPECT
*(defensive)*
I was at the bar until close. Ask anyone.

DETECTIVE
We did. Nobody remembers you after nine.

SUSPECT
*(shaken)*
That doesn't mean I wasn't there.

DETECTIVE
*(leaning in)*
It means somebody's lying to me tonight. I'd rather it wasn't you.
Fills the box above and scrolls you right to it. Learn more about this use case →
Books Narrated samples, audiobook development, and adaptation materials.

Try it yourself — sample dialogue

NARRATOR
*(measured)*
The letter had waited eleven years to be opened. Clara held it now, the paper soft with age.

CLARA
I don't know if I'm ready to know what he wanted to say.

NARRATOR
No one ever is. That's not a reason to leave it sealed.

CLARA
He wrote this the week before he left. I always thought that meant something.

NARRATOR
Maybe it's time to find out what.

CLARA
*(soft)*
Okay. Let's see what you wanted to tell me, Dad.
Fills the box above and scrolls you right to it. Learn more about this use case →
Branded Media Audio storytelling for brands, campaigns, and intellectual property.

Try it yourself — sample dialogue

NARRATOR
*(warm)*
Every company starts somewhere. Most people assume ours started with a plan.

FOUNDER
It didn't. It started in a garage, with two laptops, a space heater that didn't work, and not nearly enough money.

NARRATOR
For eight months, it was just the two of them, three failed prototypes, and one investor who said no.

FOUNDER
*(quiet)*
We almost quit in March. I remember the exact night we almost shut it down.

NARRATOR
They didn't. And ten years later, that garage became something bigger than either of them imagined.

FOUNDER
Every customer we have today exists because we didn't stop that night. That's the whole story, really.
Fills the box above and scrolls you right to it. Learn more about this use case →
Legal Client education, deposition prep, and training scenarios for law firms.

Try it yourself — sample dialogue

ATTORNEY
Good morning, Mr. Harris. Where were you at approximately 8:15 on Tuesday morning?

WITNESS
*(nervous)*
I had just entered the lobby when I heard someone shouting from the reception desk.

ATTORNEY
Did you recognize the voice?

WITNESS
No. But within seconds I saw two employees arguing near the elevators.

ATTORNEY
Can you describe what you saw next, as clearly as you remember it?

WITNESS
*(careful)*
One of them grabbed a folder off the desk. That's when security stepped in.

ATTORNEY
And to be clear — you had a direct, unobstructed line of sight the entire time?

WITNESS
*(firm)*
Yes. The entire time.
Fills the box above and scrolls you right to it. Learn more about this use case →
Real Estate Property tours, client education, and staff training for real estate teams.

Try it yourself — sample dialogue

AGENT
*(inviting)*
Right this way — this is the room that sold the last three buyers before they even saw the kitchen.

BUYER
*(delighted)*
Oh, the light in here is incredible.

AGENT
South-facing, all day. And through here is the space we talked about for a home office.

BUYER
*(thinking)*
I could actually see us here.

AGENT
That's usually the moment people stop touring and start imagining moving in.
Fills the box above and scrolls you right to it. Learn more about this use case →
Advertising Campaign pitches, ad concepting, and voice testing for agencies.

Try it yourself — sample dialogue

NARRATOR
*(warm)*
Every morning, Sarah has four minutes before the chaos starts.

SARAH
*(rushed)*
Coffee, kids, keys, gone.

NARRATOR
*(building)*
Until she found the one thing that gave those four minutes back.

SARAH
*(relieved)*
Now I actually sit down. Just for a second. But it's mine.

NARRATOR
*(confident)*
Four minutes. That's all it takes to change a morning.
Fills the box above and scrolls you right to it. Learn more about this use case →
Public Relations Media training, crisis rehearsal, and spokesperson preparation.

Try it yourself — sample dialogue

REPORTER
Can you explain why the company waited three days to announce the outage?

EXECUTIVE
We wanted to understand the full scope before we spoke — accuracy mattered more than speed here.

REPORTER
*(skeptical)*
Some would call that a delay tactic, not caution.

EXECUTIVE
I understand why it looks that way. But telling customers the wrong information fast isn't better than telling them the right information three days later.

REPORTER
So you're saying transparency took a back seat to legal review.

EXECUTIVE
*(firm)*
No. I'm saying we chose to be right before we chose to be fast. Those aren't the same as hiding something.
Fills the box above and scrolls you right to it. Learn more about this use case →
Customer Service Realistic call scenarios for training and quality coaching.

Try it yourself — sample dialogue

CUSTOMER
*(angry)*
This is the third time I've called about this exact charge. Nobody has fixed it yet.

REP
I hear you, and I'm sorry you've had to call three times. I'm going to fix this myself, right now, not transfer you again.

CUSTOMER
That's what the last person said too.

REP
I understand. Here's what I'm doing differently — I'm processing the refund while we're still on this call, and I'll give you the confirmation number before we hang up.

CUSTOMER
*(surprised)*
Oh. Okay. I wasn't expecting that.

REP
You've earned a straight answer today. Give me just one moment.
Fills the box above and scrolls you right to it. Learn more about this use case →
Social Media & Content Creators Scripted skits, storytime videos, and character voices for short-form content.

Try it yourself — sample dialogue

ROOMMATE 1
*(suspicious)*
Why does the kitchen smell like a candle store had a nervous breakdown?

ROOMMATE 2
I was manifesting.

ROOMMATE 1
Manifesting what, a fire department visit?

ROOMMATE 2
*(defensive)*
The candle said "abundance." I lit three.

ROOMMATE 1
It's eleven a.m.

ROOMMATE 2
Abundance doesn't check a clock, Karen.

ROOMMATE 1
*(flat)*
My name is not Karen.

ROOMMATE 2
It is now. Manifesting that too.
Fills the box above and scrolls you right to it. Learn more about this use case →
Hear the concept

The Interview

A short demo produced entirely through Meldio — multiple voices, one workflow.

Read the transcript
[MUSIC: Reflective Piano Intro]

NARRATOR
Every creator has a moment when an idea stops being an idea and becomes something real.

INTERVIEWER
Today we're speaking with Richard, creator of Meldio.

RICHARD
Thank you. I'm glad to be here.

INTERVIEWER
You're a playwright, author, composer, and lyricist. What led you to create Meldio?

RICHARD
I've spent years writing plays, composing music, and creating stories. At some point I started trying to produce audio versions of my own work, and I kept running into the same wall.

NARRATOR
What began as frustration became curiosity.

[SONG: What If There's Nothing Wrong With Me]

INTERVIEWER
So Meldio wasn't originally intended to be a company?

RICHARD
Not at all. I was trying to solve my own problem. But the more I worked with scripts and books, the more I realized that many creators face the same challenge.

INTERVIEWER
What challenge is that?

RICHARD
Turning words on a page into something people can actually hear and experience.

NARRATOR
And so a new idea began to emerge.

[SONG: Before the World Told You]

INTERVIEWER
How would you describe Meldio?

RICHARD
I think of it as narrative orchestration. Voice platforms generate voices. Music platforms generate music. Audio editors manipulate files. But creators need a way to orchestrate those elements into a coherent audio experience.

INTERVIEWER
Who do you imagine using it?

RICHARD
Playwrights. Authors. Screenwriters. Podcast creators. Educators. Anyone with a story who wants to bring that story to life without needing a studio.

NARRATOR
A simple idea, perhaps. But sometimes the most interesting ideas begin with a creator trying to solve his own problem.

INTERVIEWER
What excites you most right now?

RICHARD
Honestly, seeing other people experience it for the first time. That's when you discover whether something really matters.

INTERVIEWER
And what do you hope people take away from Meldio?

RICHARD
That stories deserve to be heard. Every creator deserves the chance to let people experience what they've imagined.

NARRATOR
Meldio.

Stories written.

Stories heard.

[SONG: Euphoria]
How it works
01

Upload your content

Drop in a scene, a training scenario, a case study, or plain prose. For multiple character voices, use "NAME: dialogue" or put names on their own line above dialogue. Or upload a .txt, .docx, .pdf, .fountain, or .fdx file.

02

Meldio identifies voices & assigns casting

Meldio recognizes speakers identified in formatted content and assigns each a distinct voice from Meldio's curated library.

03

Generate your audio

Play the finished, professional audio experience right in your browser, or download it to share. Want full casting control or music? Open the Full Production Studio.

The problem

Valuable written content is created every day — scripts, training scenarios, case studies, manuscripts, sales playbooks — and most of it is never heard. It sits on the page, read by a handful of people, rarely produced as a real audio experience. Powerful AI voice and music tools exist today, but assembling them into a finished, multi-voice production is still fragmented, technical, and time-consuming. Teams and creators end up spending more time on production logistics than on the content itself.

The difference

Without Meldio

Multiple tools

Manual assembly

Audio engineering

Hours of editing

High production cost

With Meldio

One workflow

Character voices

Optional music

Automated output

Faster development

Why it matters

Time saved

Costs reduced

Stronger pitches

Faster decisions

Work people actually hear

Why Meldio
Formatted speaker detection — upload content with named speakers and Meldio organizes the dialogue and voice assignments automatically
Guided voice assignment — choose from a curated voice library, with full control over every casting decision
Performance direction — apply delivery cues so dialogue sounds natural, not robotic
Optional music support — add background music or featured songs when a project calls for it
Professional audio output — generate a finished, shareable audio file ready to send or publish
Direct the performance, not just the voice

Add a simple cue like *whispering* or *angry* and Meldio adjusts the delivery automatically — the direction itself is never spoken aloud.

SARAH *(whispering)*
"I don't think he can hear us anymore."
✓ Spoken: "I don't think he can hear us anymore."
✗ Never spoken: "whispering"
Creator protections

Creator-Owned

Content stays yours.

Not Publicly Shared

Your projects stay private.

Rights Stay Yours

Meldio presents, not owns.

No Content Generation

Your material, your authorship.

Built by a creator who needed it
Richard
Founder of Meldio

Meldio was conceived after Richard spent months trying to produce an audio version of his own musical using existing AI technologies and discovered that no platform existed to orchestrate the entire workflow.

The insight came from a real creator problem: tools could generate individual pieces, but creators still needed a unified way to turn narrative intellectual property into a coherent audio experience.

"The idea didn't come from a market study. It came from trying to build an audio version of my own musical — and discovering that no platform could do the job."

Full Production Studio

Request Access

Quick Studio is available to everyone. If you'd like access to the complete Production Studio — including project saving, advanced voice controls, performance direction, and upcoming features — request access below.

We'll contact you personally as new beta openings become available.

Free Resource The Meldio Knowledge Center Guides, tutorials, and real audio demos. Explore →
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